Agenda item
Culture Plan Annual Update
Minutes:
Councillor Pat Patel
(Cabinet Member for Customer Services, Culture, Leisure &
Sport), supported by Hannah Harris (CEO of Plymouth Culture),
Victoria Pomery (CEO of The Box) and David Draffan (Service
Director, Economic Development) introduced the report and
highlighted -
a)
Cultural activity in Plymouth was abundant and remained a key
component in delivering and driving Plymouth’s destination
agenda;
b)
There were over 380 creative and
cultural enterprises within the city and the sector in Plymouth
remained stable, despite the effects of the COVID19
pandemic;
c)
Plymouth was successful in securing £12.34 million of Arts
Council NPO funding;
d)
A cultural mapping tool had been developed to help better
understand how people access cultural services and how;
e)
British Art Show 9 was open and had already attracted over 47,000
visitors;
f)
An investment strategy with the aim of driving new and increased
funding into the sector to broaden and deepened engagement with
local residents and communities was the priority;
g)
A mapping activity had been undertaken to improve the consistency
of data being collected around who was attending cultural
events;
h)
There was also a focus on looking at the impact of culture on
people’s lives and if people were
cross-pollinating;
i)
The figures would help to gain a deeper understanding of the
barriers that people face in accessing events;
j)
The cultural sector had challenges ahead but it was important to
look at how the value of culture could benefit other agendas in the
city;
In response to questions it was reported –
k)
There was an understanding of the value of the cultural sector in
economic and social terms and it would be important to look at the
data to not just understand who was accessing events, but also who
wasn’t and to ask why, rather than make assumptions, to
understand the data further;
l)
Early indications were that impact was being made in some areas
identified as ‘hard to reach’, but more analysis and
work on this would take place;
m)
There had been a lot of work done nationally to better understand
the broader impact and value of culture and Plymouth Culture would
be taking this on board and applying it locally;
n)
Over 10 years previous, a similar data collection activity was
undertaken in Plymouth and research indicated that incentives were
not the right method to driving usage and national data showed the
same, so the ‘Tap-In’ app was taking a different
approach in providing users with more information on events that
they might like in the city;
o)
The ‘Tap-In’ app was in the pilot phase and did not
have a function within it to book for events;
p)
All feedback from users would be reviewed and solutions looked into
for the evolution of the functionality of the app;
q)
The cultural partnership had been formed, comprising of a
cross-section across Plymouth with the aim of linking culture into
other agenda’s and was linked closely to the growth
board;
r)
Feedback on the ‘Tap-In’ app was really
important;
s)
Important to translate the value of culture into for other
agenda’s;
t)
The latest Census data would be incorporated into the Culture Plan
and could be reported on in the future;
u)
8 out of 10 organisations in Plymouth were offered renewed NPO
funding, with the remaining two in conversation with the Arts
Council about alternative funding routes;
v)
Collaboration, data collection and reflecting diversity in programs
were priorities;
w)
There was more cultural investment in Plymouth was quite
significant compared to other areas;
x)
Data at The Box would continue to be collected and analysed to
influence programs, to address barriers and to build up case
studies;
y)
It was important that Councillor’s shared cultural
information on their social media pages to reach more members of
the public.
The Committee agreed to –
1)
Note the report;
2)
Receive more detail on the audiences that were not being reached
and proposals to reach them, in the Annual Report in
2023;
3) Receive more detail on how data on diversity had influenced cultural programs in the Annual Report 2023.
Supporting documents: